I do not operate an open shop but prefer instead to treat my interest in Americana in a more relaxed manner. Indeed, my primary preoccupation is teaching at the California Institute of Technology, which affords me the luxury of pursuing a tertiary interest in American history. This feeds my interest in Americana and gives me the flexibility to pursue offering a selection of American country and formal antiques that represent the best of what we might otherwise associate with Back East tastes and design. In fact, after 40+ years of collecting Americana, with the last two and a half decades spent scouring the estate sales and flea markets of Southern California, the time has come to begin letting go. What you’ll find here, then, are things from my personal collection with the occasional addition of some treasure I found in my ongoing compulsive hunting. Needless to say, there’s a full “L.L.Bean-type” no questions asked guarantee on anything I sell. I do make mistakes, but I try not to pass them on to anyone. Tel #s: 818-952-8106; 818-618-7984 (cell). Email address is email@example.com. Want to add that I've just finished a book on experiences, lessons learned, etc, so check out my website at www.ordeshookantiques.com. I warn though that the text is constantly under revision as new lessons and experiences arise.
It's not clear whether Miss Dyer's 1st name is Elisa or Eliza: if Eliza, she was born in Massachusetts in 1789, dating the map to 1802. But if Eliza, the map's from Maine and dates to 1800. Both possibilities make sense since the map was found in a New Hampshire estate. In its frame (not terribly old) this watercolor and ink example of American folk art measures 23 5/8" x 18 1/4" (sight 22 1/4" x 17 3/4"). A date of 1800 or 1802 follows logically from the fact that Finland had not yet separated from Sweden (1809) as well as Poland's configuration, which matches its form in 1795 or so (and we can assume there's a lag in the maps children used to construct their own). The detail here is wonderful ... rivers, major cities, etc all finely written in. The map does have two apologies: a tear from the left side (see my 2nd pic.) as well as one from the right with a small dime sized piece of missing paper (see my 3rd pic.)
here's a fantastic all wood Uncle Same that stands 50 1/2" high, all made out of 1 3/4" American pine that bears its original paint. Aside from the age roughage to the upraised hand (see my 3rd picture), he's in superb condition with wear to the paint commensurate with age.
here's a classic vintage wood Barber Pole that stands 45" high with a max diameter or appx 6+" Aside from the age crack the pole is in superb condition with wear to its original 1st-coat paint commensurate with age.
Offered here is this sizeable 19th century all wood rocking horse that retains all of its original paint, horsehair mane and tail. Saddle is original as well, but as can be seen, various leather embellishments are long gone from use and age. As for dimensions, as she sits, she's 46 1/2" long x 32 1/4" high x 16 1/4" wide with the horse itself measuring 46 1/2" x 24" x 12" wide at the feet. FedEx shipping is included in my price.
Not sure, of course, whether this is schoolboy or schoolgirl folk art, but it is unique. A 19th C watercolor that's animated by the pulling of strings. Pull one string in back and the two men will move together or back to their respective houses. Pull another string and the shade to the upper right window rises or falls. And pull a third string and the chimney sweep rises from or drops into the chimney. All obviously hand crafted, drawn and colored. Framed in a ca 1840 mahogany veneered frame it measures 13 1/2" x 12 1/2" with sight dimensions beneath the new matting of 6 1/2" x 5".
Offered here is this late 18th or early 19th century two-candle "table model" adjustable tin table model candle stand. Overall height is 29 1/2", diameter of the weighted cone base is 6 1/2" and spread on the arms of the candle holder is appx 10". Both candle sockets are pushups. The candle holder arms are actually made in 3 pieces ... two arms and a center leather ring that connects to the two arms. It was that leather ring that originally provided the friction that held the arms in place together at whatever height was chosen. Over time, though, that ability, due to wear, was lost, so I inserted an additional felt washer that is invisible but provides the necessary friction so that the candle holder operates as intended. There appears to be some spot soldering repairs, but nothing obtrusive and the candle holder is otherwise wholly original.
here is this absolutely impressive and monumental (32 1/2" long x 10 1/4" wide x 12" high) hand made locomotive made entirely of wood and tin and retaining its original paint throughout. The detail is incredible and I have no doubt conforms to the real thing. Its "signed" on the front with the date 1991 which is when I assume it was made. I have no idea, though, what the Kumquat Lumber Co. is. Insofar as I can tell, there are no apologies whatsoever ... this incredible piece of folk art is 100% right.
Herbert Mills (b. 1878, d. 1948) is buried in the military cemetery in San Antonio Texas and served as a 1st Lt in WWI. These five folk art carvings are all, with the exception of the WWI doughboy, signed "Herbert Mills San Antonio Texas ca 1928". One can presume that the doughboy (9 1/4" h) is Mills himself whereas the largest carving (10 7/8") is Punch from Punch & Judy. The man (10" h) reminds me of those cartoon-like drawings hanging on the walls of various restaurants corresponding to the celebrities who frequented that establishment from time to time. In any event, offered as a set ...
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